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ALEGRÍAS DE CADIZ (with English subtitles)
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Welcome
Alegrías de Cádiz (7.5 min)
MANUEL EXPLAINS THE STRUCTURE (2.04 min)
Alegrías de Cádiz (Full dance music)
SALIDA WITH THE TIRITITRAN (LONG) (1.57 min)
SALIDA WITH THE TIRITITRAN (SHORT) (1.12 min)
SALIDA: THE SINGER SINGS THE OPENING WITH NO FIXED RHYTHM (5.34 min)
THE DANCER DOES REMATES DURING SINGER'S BREATHING BREAK (2.10 min)
THE SINGER TAKES A BREAK & RESUMES WHILE THE DANCER IS DOING REMATES (1.32 min)
DANCER DOES A SERIES OF REMATES WHILE THE SINGER SINGS WITHOUT A BREAK (1.01 min)
THE SINGER SINGS CONTINUOUSLY & THE DANCER DANCES WITHOUT REMATES (1.31 min)
MANUEL DEMONSTRATES 3 POSSIBILITIES (4.11 min)
UNDERSTANDING THE TONALITY OF THE COLETILLA (3.05 min)
LONG VERSION WITH CONTRATIEMPO & IMPROVISATION (3.31 min)
SHORT BASIC VERSION (1.54 min)
SHORT SILENCIO (3.33 min)
LONG SILENCIO (3.25 min)
"THE BELLS" - Las Campanas (2.18 min)
TRADITIONAL SHORT CASTELLANA + LONGER VERSION WHERE THE SINGER 'PLAYS' (2.02 min)
POSSIBILITIES (4.44 min)
MANUEL EXPLAINS & DANCES (2.31 min)
HOW TO GET THE SINGER TO SING ME THE BULERIAS (1.25 min)
WHEN THE SINGER DOES NOT SING YOU THE BULERIAS RIGHT AWAY (1.15 min)
WHEN THE SINGER PLAYS & LENGTHENS THE END OF THE BULERIAS (2.11 min)
HOW TO GET THE GUITARIST TO PLAY A 'TAPAO' & TO 'OPEN IT UP' LATER (3.11 min)
COMMUNICATION, IMPROVISATION & POSSIBILITIES OF MODIFYING THE DANCE STRUCTURE (6.51 min)
COMMUNICATION, IMPROVISATION (4.13 min)
Salida (2.07 min)
Letra + Coletilla (3.17 min)
Llamada + Remate + Subida + Cierre (2.12 min)
Silencio (2.01 min)
Castellana (1.16 min)
Escobilla (3.15 min)
Bulerías (2.04 min)
THE TIRITITRAN (SHORT) (1.55 min)
THE TIRITITRAN (LONG) (1.41 min)
SALIDA LIBRE SUNG IN FREE TIME (2.43 min)
SALIDA LIBRE ENDING IN RHYTHM (2.01 min)
SALIDA WITH TRADITIONAL LETRA (3.44 min)
LETRA WITH OR WITHOUT SINGER'S BREAK (3.11 min)
COLETILLA: 3 POSSIBILITIES (2.19 min)
CASTELLANA, 2 POSSIBILITIES (2.24 min)
INTRODUCTION (2.37 min)
LET'S SING IT SLOWLY (2.46 min)
WHEN TO START SINGING THE BULERIAS (1.17 min)
MANU TALKS ABOUT CODES & COMMUNICATION (2.17 min)
MUSICAL INTRO IN E MAJOR (3.13 min)
POSSIBILITIES OF CLOSING THE FALSETA, IN TIME & IN E MAJOR (4.00 min)
MUSICAL INTRO IN C MAJOR (2.47 min)
MUSICAL INTRODUCTION (FREE COMPAS) & ACCOMPANYING SONG MELODY (7.28 min)
ACCOMPANYING THE SALIDA CANTE, THE PASEO & CLOSURE (3.32 min)
INTRO TO THE GUITAR ‘TAPAO’ TO COMPAS USING RASGUEOS (2.26 min)
ROLE OF THE GUITARIST WHEN THE SINGER DOES NOT START (THE 1ST LETRA) (0.58 min)
HARMONICA ACCOMPANIMENT OF THE SONG & THE DANCER'S REMATES (5.13 min)
ACCOMPANIMENT OF THE COLETILLA: HARMONY & CHARACTER (2.49 min)
LLAMADA, DEVELOPMENT & CLOSURE ('CIERRE') OF THE DANCE (3.48 min)
SHORT SILENCIO PLAYED TO TIME (4.39 min)
LONG SILENCIO PLAYED TO COMPAS (2.30 min)
SILENCIO PLAYED FREELY (1.01 min)
ROLE OF THE GUITARIST IN THE CASTELLANA (2.32 min)
TRADITIONAL MUSIC IN E & C MAYOR, THE BEAT & CHARACTER (6.27 min)
HARMONY, CHARACTER OF ACCOMPANYING SONG, DANCER, CLOSURE (5.26 min)
2 POSSIBLE EXAMPLES FOR THE GUITARIST WHEN THE SINGER DOES NOT START A LETRA AFTER THE DANCER'S CLOSURE (1.58 min)
POSSIBILITIES OF ACCOMPANYING THE DANCE AFTER THE COLETILLA (2.36 min)
3 POSSIBILITIES FOR INITIATING THE ESCOBILLA (2.19 min)
ASKING THE GUITARIST FOR TAPAO, FALSETA (5.49 min)
1. PALMAS ACCOMPANIMENT (2.32 min)
2. PALMAS ACCOMPANIMENT (7.37 min)
INTRODUCTION
Welcome
[DANCE] - FULL CHOREOGRAPHY - Alegrías de Cádiz
Alegrías de Cádiz (7.5 min)
MANUEL EXPLAINS THE STRUCTURE (2.04 min)
MUSIC RECORDING - Alegrías de Cádiz
Alegrías de Cádiz (Full dance music)
[DANCE] SALIDA. POSSIBILITIES -
SALIDA WITH THE TIRITITRAN (LONG) (1.57 min)
SALIDA WITH THE TIRITITRAN (SHORT) (1.12 min)
SALIDA: THE SINGER SINGS THE OPENING WITH NO FIXED RHYTHM (5.34 min)
[DANCE] LETRA: POSSIBILITIES
THE DANCER DOES REMATES DURING SINGER'S BREATHING BREAK (2.10 min)
THE SINGER TAKES A BREAK & RESUMES WHILE THE DANCER IS DOING REMATES (1.32 min)
DANCER DOES A SERIES OF REMATES WHILE THE SINGER SINGS WITHOUT A BREAK (1.01 min)
THE SINGER SINGS CONTINUOUSLY & THE DANCER DANCES WITHOUT REMATES (1.31 min)
[DANCE] COLETILLA POSSIBILITIES
MANUEL DEMONSTRATES 3 POSSIBILITIES (4.11 min)
Preview
UNDERSTANDING THE TONALITY OF THE COLETILLA (3.05 min)
[DANCE] LLAMADA + REMATE + SUBIDA + CIERRE: POSSIBILITIES
LONG VERSION WITH CONTRATIEMPO & IMPROVISATION (3.31 min)
SHORT BASIC VERSION (1.54 min)
[DANCE] SILENCIO
SHORT SILENCIO (3.33 min)
LONG SILENCIO (3.25 min)
"THE BELLS" - Las Campanas (2.18 min)
[DANCE] CASTELLANA
TRADITIONAL SHORT CASTELLANA + LONGER VERSION WHERE THE SINGER 'PLAYS' (2.02 min)
[DANCE] THE ESCOBILLA - La Escobilla
POSSIBILITIES (4.44 min)
[DANCE] BULERIAS
MANUEL EXPLAINS & DANCES (2.31 min)
[DANCE] POSSIBILITIES & COMMUNICATION
HOW TO GET THE SINGER TO SING ME THE BULERIAS (1.25 min)
WHEN THE SINGER DOES NOT SING YOU THE BULERIAS RIGHT AWAY (1.15 min)
WHEN THE SINGER PLAYS & LENGTHENS THE END OF THE BULERIAS (2.11 min)
HOW TO GET THE GUITARIST TO PLAY A 'TAPAO' & TO 'OPEN IT UP' LATER (3.11 min)
COMMUNICATION, IMPROVISATION & POSSIBILITIES OF MODIFYING THE DANCE STRUCTURE (6.51 min)
COMMUNICATION, IMPROVISATION (4.13 min)
[DANCE] CHOREOGRAPHY BREAKDOWN WITH DETAILS (19 min)
Salida (2.07 min)
Letra + Coletilla (3.17 min)
Llamada + Remate + Subida + Cierre (2.12 min)
Silencio (2.01 min)
Castellana (1.16 min)
Escobilla (3.15 min)
Bulerías (2.04 min)
[SONG] SALIDA. POSSIBILITIES
THE TIRITITRAN (SHORT) (1.55 min)
THE TIRITITRAN (LONG) (1.41 min)
SALIDA LIBRE SUNG IN FREE TIME (2.43 min)
SALIDA LIBRE ENDING IN RHYTHM (2.01 min)
SALIDA WITH TRADITIONAL LETRA (3.44 min)
[SONG] LETRA+COLETILLA: POSSIBILITIES
LETRA WITH OR WITHOUT SINGER'S BREAK (3.11 min)
COLETILLA: 3 POSSIBILITIES (2.19 min)
Preview
[SONG] CASTELLANA
CASTELLANA, 2 POSSIBILITIES (2.24 min)
[SONG] BULERÍAS DE CÁDIZ
INTRODUCTION (2.37 min)
LET'S SING IT SLOWLY (2.46 min)
[SONG] COMMUNICATION (EXAMPLES & DEMOS)
WHEN TO START SINGING THE BULERIAS (1.17 min)
MANU TALKS ABOUT CODES & COMMUNICATION (2.17 min)
[GUITAR] SALIDA: POSSIBILITIES
MUSICAL INTRO IN E MAJOR (3.13 min)
POSSIBILITIES OF CLOSING THE FALSETA, IN TIME & IN E MAJOR (4.00 min)
MUSICAL INTRO IN C MAJOR (2.47 min)
MUSICAL INTRODUCTION (FREE COMPAS) & ACCOMPANYING SONG MELODY (7.28 min)
ACCOMPANYING THE SALIDA CANTE, THE PASEO & CLOSURE (3.32 min)
INTRO TO THE GUITAR ‘TAPAO’ TO COMPAS USING RASGUEOS (2.26 min)
[GUITAR] LETRA POSSIBILITIES
ROLE OF THE GUITARIST WHEN THE SINGER DOES NOT START (THE 1ST LETRA) (0.58 min)
HARMONICA ACCOMPANIMENT OF THE SONG & THE DANCER'S REMATES (5.13 min)
ACCOMPANIMENT OF THE COLETILLA: HARMONY & CHARACTER (2.49 min)
Preview
[GUITAR] LLAMADA, DEVELOPMENT & CLOSURE ('CIERRE') OF DANCE
LLAMADA, DEVELOPMENT & CLOSURE ('CIERRE') OF THE DANCE (3.48 min)
[GUITAR] SILENCIO
SHORT SILENCIO PLAYED TO TIME (4.39 min)
LONG SILENCIO PLAYED TO COMPAS (2.30 min)
SILENCIO PLAYED FREELY (1.01 min)
[GUITAR] LA CASTELLANA
ROLE OF THE GUITARIST IN THE CASTELLANA (2.32 min)
[GUITAR] LA ESCOBILLA
TRADITIONAL MUSIC IN E & C MAYOR, THE BEAT & CHARACTER (6.27 min)
[GUITAR] BULERÍAS DE CÁDIZ
HARMONY, CHARACTER OF ACCOMPANYING SONG, DANCER, CLOSURE (5.26 min)
[GUITAR] COMMUNICATION EXAMPLES
2 POSSIBLE EXAMPLES FOR THE GUITARIST WHEN THE SINGER DOES NOT START A LETRA AFTER THE DANCER'S CLOSURE (1.58 min)
POSSIBILITIES OF ACCOMPANYING THE DANCE AFTER THE COLETILLA (2.36 min)
3 POSSIBILITIES FOR INITIATING THE ESCOBILLA (2.19 min)
ASKING THE GUITARIST FOR TAPAO, FALSETA (5.49 min)
BONUS VIDEOS
1. PALMAS ACCOMPANIMENT (2.32 min)
2. PALMAS ACCOMPANIMENT (7.37 min)
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