Zenler Player
Your course is loading. Hang tight.
TANGOS DE TRIANA (with English subtitles)
Back to curriculum / Volver al plan de estudios
0% Complete / Completo
0% Complete / Completo
Introduction
Content overview
About Your Maestros: Manuel Betanzos, Manuel Soto & Javier Ibañez
FULL DANCE WITH MUSICIANS (03:07)
IDENTIFYING PARTS OF THE DANCE (03:07)
Tangos de Triana (full dance music)
EXAMPLE 1 - THE GUITARIST INITIATES (02:42)
EXAMPLE 2 - THE SINGER INVITES THE DANCER (01:35)
THE SINGER SINGS CONTINUOUSLY (1.54 min)
THE SINGER TAKES A BREAK IN THE SONG (Letra respirada) (1.41 min)
THE SINGER SINGS CONTINUOUSLY / Letra seguida (00.48 min)
THE SINGER TAKES A BREAK IN THE SONG / Letra respirada (1.25 min)
THE SINGER SINGS THE FINAL PHRASE ONLY ONCE (1.37 min)
HOW TO ASK FOR A FALSETA (1.23 min)
LISTEN TO THE CANTE, HOW TO UNDERSTAND TONALITY TO END YOUR DANCE WITH THE LETRA (1.5 min)
HOW TO ASK FOR THE LETRA TO WRAP UP YOUR DANCE (2.03 min)
WHAT TO DO WHEN THE SINGER SINGS YOU ANOTHER LETRA WHEN YOU (ACTUALLY) WANT TO LEAVE (2.28 min
HOW TO LEAVE AND INVITE ANOTHER DANCER IN (WITHOUT ENDING THE PARTY) (1.25 min)
Compás of the Tangos, and the accent of a salida (1.34 min)
BREAKDOWN AND DETAILS OF FULL DANCE (5.17 min)
HOW TO DANCE WITH THE SKIRT (4.14 min)
TANGOS COMPÁS WITH PALMAS (00.39 min)
PALMAS VARIATIONS (1.26 min)
MELODY OF THE TANGOS DE TRIANA - CHARACTERISTIC OF EL TITI (1.38 min)
GET TO KNOW THE LYRICS. LET'S SING IT SLOWLY WITHOUT GUITAR (2.04 min)
SING THE LYRICS WITH GUITAR ACCOMPANIMENT (2.53 min)
LET'S SING IT WITH 'AIRE' TO ACCOMPANY THE DANCE (WITH GUITAR) (2.21 min)
GET TO KNOW VARIATIONS - WHEN THE SINGER LENGTHENS, TAKES A BREAK, REPEATS (3.51 min)
TWO EXAMPLES ( letra seguida o respirada) (1.35 min)
HOW TO KNOW WHEN THE DANCER WANTS TO END THE SONG, AND WHAT YOU CAN SING / Cómo saber cuando el bailaor se va a recoger? Cómo y qué podemos cantar? (1.37 min)
REFLECTION ON THE IMPORTANCE OF COMMUNICATION / Reflexión - Sobre la importancia de la comunicación con la guitarra y el baile (00.45 min)
THREE POSSIBILITIES (2.38 min)
BASIC CHORDS TO ACCOMPANY TO SONG IN MINOR MODE: AM (I), E7 (V) Y DM (IV) (1.07 min)
LET’S ACCOMPANY THE SONG WITH THE CHORDS YOU JUST LEARNT (00.36 min)
THE MINOR MODE AND ITS INFLECTION TO THE MAJOR KEY IN THE TANGOS DE TRIANA (1.21 min)
THE IMPORTANCE OF RHYTHMIC ACCENTS AND HARMONY IN TANGOS DE TRIANA (1.15 min)
ROLE OF GUITARIST AT A FIESTA + KNOW WHEN TO PLAY A FALSETA (1.39 min)
HARMONIC & CHARACTERISTIC 'REMATE' OF THE GUITAR (00.55 min)
HARMONIC POSSIBILITIES OF ACCOMPANYING THE SONG (2.17 min)
EXPLANATION AND DEMO WITH SONG (2.45 min)
HARMONIC & RHYTHMIC CLOSURES TO END THE TANGOS POR FIESTA (2.54 min)
INTRODUCTION
Introduction
Content overview
About Your Maestros: Manuel Betanzos, Manuel Soto & Javier Ibañez
DANCE: TANGOS DE TRIANA CHOREOGRAPHY
FULL DANCE WITH MUSICIANS (03:07)
IDENTIFYING PARTS OF THE DANCE (03:07)
MUSIC RECORDING - Tangos de Triana
Tangos de Triana (full dance music)
DANCE: HOW TO START THE FIESTA
EXAMPLE 1 - THE GUITARIST INITIATES (02:42)
EXAMPLE 2 - THE SINGER INVITES THE DANCER (01:35)
DANCE: LETRA 'LA GUITARINA' POSSIBILITIES
THE SINGER SINGS CONTINUOUSLY (1.54 min)
THE SINGER TAKES A BREAK IN THE SONG (Letra respirada) (1.41 min)
DANCE: LETRA 'ERA MI PRIMITA' POSSIBILITIES
THE SINGER SINGS CONTINUOUSLY / Letra seguida (00.48 min)
THE SINGER TAKES A BREAK IN THE SONG / Letra respirada (1.25 min)
THE SINGER SINGS THE FINAL PHRASE ONLY ONCE (1.37 min)
DANCE: FLAMENCO COMMUNICATION
HOW TO ASK FOR A FALSETA (1.23 min)
LISTEN TO THE CANTE, HOW TO UNDERSTAND TONALITY TO END YOUR DANCE WITH THE LETRA (1.5 min)
HOW TO ASK FOR THE LETRA TO WRAP UP YOUR DANCE (2.03 min)
Preview
WHAT TO DO WHEN THE SINGER SINGS YOU ANOTHER LETRA WHEN YOU (ACTUALLY) WANT TO LEAVE (2.28 min
HOW TO LEAVE AND INVITE ANOTHER DANCER IN (WITHOUT ENDING THE PARTY) (1.25 min)
DANCE: CHOREOGRAPHY BREAKDOWN
Compás of the Tangos, and the accent of a salida (1.34 min)
BREAKDOWN AND DETAILS OF FULL DANCE (5.17 min)
HOW TO DANCE WITH THE SKIRT (4.14 min)
SONG: Compás & Rhythm of the Tangos
TANGOS COMPÁS WITH PALMAS (00.39 min)
PALMAS VARIATIONS (1.26 min)
SONG: INTRO TO TANGOS DE TRIANA
MELODY OF THE TANGOS DE TRIANA - CHARACTERISTIC OF EL TITI (1.38 min)
GET TO KNOW THE LYRICS. LET'S SING IT SLOWLY WITHOUT GUITAR (2.04 min)
SING THE LYRICS WITH GUITAR ACCOMPANIMENT (2.53 min)
LET'S SING IT WITH 'AIRE' TO ACCOMPANY THE DANCE (WITH GUITAR) (2.21 min)
SONG: POSSIBILITIES OF THE SONG
GET TO KNOW VARIATIONS - WHEN THE SINGER LENGTHENS, TAKES A BREAK, REPEATS (3.51 min)
TWO EXAMPLES ( letra seguida o respirada) (1.35 min)
SONG: FLAMENCO COMMUNICATION / CANTE: Comunicación en el baile
HOW TO KNOW WHEN THE DANCER WANTS TO END THE SONG, AND WHAT YOU CAN SING / Cómo saber cuando el bailaor se va a recoger? Cómo y qué podemos cantar? (1.37 min)
Preview
REFLECTION ON THE IMPORTANCE OF COMMUNICATION / Reflexión - Sobre la importancia de la comunicación con la guitarra y el baile (00.45 min)
GUITAR: MUSICAL BEGINNING AT A SPONTANEOUS FIESTA
THREE POSSIBILITIES (2.38 min)
GUITAR: HARMONY IN THE TANGOS DE TRIANA
BASIC CHORDS TO ACCOMPANY TO SONG IN MINOR MODE: AM (I), E7 (V) Y DM (IV) (1.07 min)
LET’S ACCOMPANY THE SONG WITH THE CHORDS YOU JUST LEARNT (00.36 min)
THE MINOR MODE AND ITS INFLECTION TO THE MAJOR KEY IN THE TANGOS DE TRIANA (1.21 min)
THE IMPORTANCE OF RHYTHMIC ACCENTS AND HARMONY IN TANGOS DE TRIANA (1.15 min)
GUITAR: FLAMENCO COMMUNICATION
ROLE OF GUITARIST AT A FIESTA + KNOW WHEN TO PLAY A FALSETA (1.39 min)
HARMONIC & CHARACTERISTIC 'REMATE' OF THE GUITAR (00.55 min)
HARMONIC POSSIBILITIES OF ACCOMPANYING THE SONG (2.17 min)
GUITAR: REFLECTION ON ACCOMPANIMENT
EXPLANATION AND DEMO WITH SONG (2.45 min)
GUITAR: CODES FOR A SPONTANEOUS FIESTA
HARMONIC & RHYTHMIC CLOSURES TO END THE TANGOS POR FIESTA (2.54 min)
Preview
×
This is an unpublished lesson. This lesson will not be shown for students unless you set it as Public.
Back to Dashboard
No contents are available in this lesson!
No lessons available !
Back to Dashboard
Lesson contents locked
Enroll to unlock this lesson.
Enroll to unlock
Next Lesson